Blues and Jazz, Irish, Greek, Persian, and Scottish music were all part of Pan’s many-layered musical landscape. Friends held Irish sessions in their basements. Greek bands were heard in local clubs with room for traditional dancing between tables. Pan’s father took her to blues clubs, riding his shoulders into the night, where bone-deep rhythms lulled her into dreams. He made instruments for folk musicians, and the sounds of American folk, Blues, classical music, and eastern sounds alike, were all heard in the kitchen. Most important, Pan learned that music had no boundaries and could not be fenced in. She calls her songs ‘music of the imagination.’
Discover Pan’s latest recording, Wild Blue right here.
